The Ideal Focal Length, Wide Max-Aperture, and Image Stabilization The 70-200 f/2.8L III IS is a completely professional-grade lens with great image quality, fast and accurate AF, and image stabilization in a solid, weather-sealed, fixed-size body.Īn added benefit is that this lens performs well with extenders, a great option for when you need even more focal length.įor some, this is the only portrait lens needed. The wide f/2.8 max aperture allows action to be captured in low light (think indoor events) and, combined with the telephoto focal lengths, allows the background to be blurred away. Professionals use it because there is no better lens available for many jobs, and amateurs use it additionally because this is the longest focal length available in an affordable, conveniently-sized f/2.8 lens. Professionals and amateurs alike typically have this lens in their hands with high frequency. The 70-200 f/2.8 image stabilized lens is one of the most crucial zoom lenses in most photographers' kits, and the 70-200 f/2.8L III IS Lens is one of the best zoom lenses ever produced. Remember that the suggested lenses are simply a selection of favorites for portrait photography, and a huge list of additional lenses can be used for this purpose.ġ. With that background, move on to some recommendations. The background is melting away, while a pleasing head and shoulders perspective has been captured. The sample portrait included at the top of this page was captured with a 85mm focal length and an f/2 aperture. If shooting in a studio with a background such as rolled paper and lighting with studio strobes, narrow apertures such as f/8 or f/11 will likely be in use, and all lenses have these options available. I like the mouth and both eyes to minimally be in focus. The wide apertures will provide a reduced depth of field, so the depth of field vs. Longer focal length lenses will make blurring away a distracting background easier, as will wide apertures.
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I generally agree with this teaching, though I will often use wider focal lengths such as 50mm for full body portraits or 24mm for environmental portraits, and I prefer a longer focal length such as 200mm for tightly-framed headshot images.Ī blurred background will make your portrait subjects pop. The portrait lens focal length decision should be based on the perspective you want, the subject framing desired, and the working space available.Ī wide-angle lens is best used for environmental portraits where your subject is shown along with their surroundings.Ĭonversely, a long telephoto lens should be used for tight headshots.Ĭonventional teaching is that the 85-135mm focal length range is ideal for portrait photography (after any field of view crop factor is accounted for).
Longer focal length lenses require more working distance than their wider counterparts, and physical obstacles can inhibit the necessary line of sight. Move in too close, and the subject may become uncomfortable with you in their personal space, creating a tension that does not photograph well.īeing too far away from a subject brings other problems.įacial features may become too compressed in appearance, and being too far away complicates communication. If the nose is half as far away as the ear, the nose will appear 2x larger relative to the ear. This effect is due to perspective distortion. If the camera is too close to the subject, the part of the body closest to the lens, usually the nose, is going to appear too large relative to the rest of the body. The first portrait photography concept that needs to be understood is perspective. Still, not all lenses are good choices for all portrait photography, while some lenses seem explicitly made for this purpose. Lenses with focal lengths ranging from 11mm through 800mm can be used to capture the world's most valuable (but not always the most cooperative) subject: people.
Nearly every lens be used as a portrait lens. Our Best Canon Mirrorless Camera Portrait Lens recommendations page has your recommendations.
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